Maximum embodiment : yōga, the western painting of Japan, 1912-1955

Bibliographic Information

Maximum embodiment : yōga, the western painting of Japan, 1912-1955

Bert Winther-Tamaki

University of Hawaiʻi Press, c2012

  • : hardcover

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Note

Bibliography: p. 195-206

Includes index

Description and Table of Contents

Description

Presents a compelling thesis articulating the historical character of Yoga, literally the "Western painting" of Japan. Balancing critique and sympathy for the twelve Yoga painters who are its principal protagonists, this investigates the quest for embodiment in some of the most compelling images of modern Japanese art.

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