The interplay of the oral and the written in Chinese popular literature
著者
書誌事項
The interplay of the oral and the written in Chinese popular literature
（Studies on Asian topics, no. 46）
NIAS Press, 2010
- : hbk
- タイトル別名
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The oral and the written
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注記
Includes bibliographical references (p. 223-239) and index
内容説明・目次
内容説明
Although the interrelationship between oral (or performing) and written traditions in Chinese popular literature is an issue that concerns practically everybody who reads or teaches Chinese literature, surprisingly it has never been properly treated in a scholarly forum before. For that reason alone, this volume is especially important and deserves serious consideration from scholars and students in the field.Through subjects ranging from Ming vernacular fiction to popular prints and contemporary storytelling and folk ballads, this volume examines the interplay of oral and written traditions in China from interdisciplinary perspectives. Literary criticism, linguistic analysis, fieldwork, folklore studies, and visual sources all bring out vital perspectives on central questions, offering enquiries into new material and giving astonishing responses to old controversies.
目次
- Preface
- Contributors
- Notes to the Reader
- Introduction (Vibeke BA rdahl and Margaret B. Wan)
- 1. Jin Ping Mei and the Art of Storytelling (Andre Levy)
- 2. In Search of a 'Common Storehouse of Convention': Narrative Affinities between Shuihu zhuan and the Judge Bao cihua Cluster (Liangyan Ge)
- 3. Audiences and Reading Practices for Qing Dynasty Drum Ballads (Margaret B. Wan)
- 4. Storytelling, Stock Phrases and Genre Conventions: The Case of 'Wu Song Fights the Tiger' (Vibeke BA rdahl)
- 5. Folk Epics from the Lower Yangzi Delta Region: Oral and Written Traditions (Anne E. McLaren)
- 6. Chinese Performing Arts and Popular Prints (Boris Riftin)
- Bibliography
- Index
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