Psychology of entertainment
著者
書誌事項
Psychology of entertainment
Routledge, 2008, c2006
- : pbk
大学図書館所蔵 全4件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Originally published: Mahway, N.J. : Lawrence Erlbaum Associates, 2006
Includes bibliographical references and indexes
内容説明・目次
内容説明
As entertainment becomes a trillion-dollar-a-year industry worldwide, as our modern era increasingly lives up to its label of the "entertainment age," and as economists begin to recognize that entertainment has become the driving force of the new world economy, it is safe to say that scholars are beginning to take entertainment seriously. The scholarly spin on entertainment has been manifested in traditional ways, as well as innovative ones. Representing the current state of theory and research, Psychology of Entertainment promises to be the most comprehensive and up-to-date volume on entertainment. It serves to define the new area of study and provides a theoretical spin for future work in the area.
Divided into three basic parts, this book:
*addresses the fundamental mechanisms and processes involved in orienting to and selecting entertainment fare, as well as receiving and processing it;
*explores the mechanisms and processes by which we are entertained by the media messages we select and receive; and
*provides an opportunity for the application of well-established as well as emerging psychological and psychobiological theories to be applied to the study of entertainment in ways that seldom have been utilized previously.
Psychology of Entertainment will appeal to scholars, researchers, and graduate students in media studies and mass communication, psychology, marketing, and other areas contributing to the entertainment studies area.
目次
Contents: Preface. Part I: Preparation and Reception Processes.P. Vorderer, F.F. Steen, E. Chan, Motivation. J. Bryant, J. Davies, Selective Exposure Processes. D.R. Anderson, H.L. Kirkorian, Attention and Television. L.J. Shrum, Perception. R.J. Harris, E.T. Cady, T.Q. Tran, Comprehension and Memory. R.H. Wicks, Media Information Processing. Part II: Reaction Processes.P.M. Valkenburg, J. Peter, Fantasy and Imagination. N. Rhodes, J.C. Hamilton, Attribution and Entertainment: It's Not Who Dunnit, It's Why. A.A. Raney, The Psychology of Disposition-Based Theories of Media Enjoyment. D. Zillmann, Empathy: Affective Reactivity to Others' Emotional Experiences. J. Cohen, Audience Identification With Media Characters. W. Wirth, Involvement. D. Zillmann, Dramaturgy for Emotions From Fictional Narration. S. Knobloch-Westerwick, Mood Management: Theory, Evidence, and Advancements. S. Trepte, Social Identity Theory. M. Schmitt, J. Maes, Equity and Justice. C. Klimmt, T. Hartmann, H. Schramm, Parasocial Interactions and Relationships. J. Cantor, Why Horror Doesn't Die: The Enduring and Paradoxical Effects of Frightening Entertainment. M.B. Oliver, J. Kim, M.S. Sanders, Personality. D. Miron, Emotion and Cognition in Entertainment. Part III: Application of Psychological Theories and Models to Entertainment Theory.M. Zuckerman, Sensation Seeking in Entertainment. M. Schreier, (Subjective) Well-Being. B. Scheele, F. DuBois, Catharsis as a Moral Form of Entertainment. P. Ohler, G. Nieding, An Evolutionary Perspective on Entertainment.
「Nielsen BookData」 より