A companion to German cinema

著者

    • Ginsberg, Terri
    • Mensch, Andrea

書誌事項

A companion to German cinema

edited by Terri Ginsberg, Andrea Mensch

Wiley-Blackwell, 2012

  • : hardback

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注記

Includes bibliographical references and index

Series title "Wiley-Blackwell companions to national cinema"--CIP data

収録内容

  • First movement: destabilization. Have dialectic, will travel: the GDR Indianerfilme as critique and radical imaginary / Dennis Broe
  • Coming out into socialism: Heiner Carow's third way / David Brandon Dennis
  • German identity, myth, and documentary film / Julia Knight
  • Post-reunification cinema: horror, nostalgia, redemption / Anthony Enns
  • "Capitalism has no more natural enemies": the Berlin School / David Clarke
  • Projecting Heimat: on the regional and the urban in recent cinema / Jennifer Ruth Hosek
  • No happily ever after: disembodying gender, destabilizing nation in Angelina Maccarone's Unveiled / Gayatri Devi
  • Second movement: dislocation. Views across the Rhine: border poetics in Straub-Huillet's Machorka-Muff (1962) and Lothringen! (1994) / Claudia Pummer
  • Contested spaces: Kamal Aljafari's transnational Palestinian films / Peter Limbrick
  • Fatih Akin's Homecomings / Savaş Arslan
  • Lessons in liberation: Fassbinder's Whity at the crossroads of Hollywood melodrama and blaxploitation / Priscilla Layne
  • Sexploitation film from West Germany / Harald Steinwender and Alexander Zahlten
  • A documentarist at the limits of queer: the films of Jochen Hick / Robert M. Gillett
  • Models of masculinity in postwar Germany: the Sissi films and the West German Wiederbewaffnungsdebatte / Nadja Krämer
  • Crossdressing, remakes, and national stereotypes: the Germany-Hollywood connection / Silke Arnold-de Simine
  • Third movement: disidentification. The aesthetics of ethnic cleansing: a historiographic and filmic analysis of Andres Veiel's Balagan / Domenica Vilhotti
  • Margarethe von Trotta's Rosenstrasse: "feminist re-visions" of a historical controversy / Sally Winkle
  • The Baader Oedipus complex / Vojin Saša Vukadinović
  • Dislocations: Videograms of a revolution and the search for images / Frances Guerin
  • Germany welcomes back its Jews: Go for Zucker! and the women in German debate (aka Wiggie-leaks: a polemical analysis) / Terri Ginsberg
  • Screening the German social divide: Aelrun Goette's Die Kinder sind tot / David James Prickett
  • A negative utopia: Michael Haneke's fragmentary cinema / Tara Forrest

内容説明・目次

内容説明

A Companion to German Cinema A Companion to German Cinema regards the shifting terrain of German filmmaking and film studies against their larger social contexts with twenty-two newly commissioned essays by well-established and younger scholars in the field. While several of these focus on classic topics such as Weimar cinema, Fifties cinema, New German Cinema and its legacy, and Holocaust film, the collection is distinguished by its focus on new developments and the innovative light they may shed on earlier practices. A Companion to German Cinema includes essays on Berlin Film, Neue Heimat Film, New Comedy, post-Wall documentaries, the post-Wende RAF genre, and Rabenmutter imagery, as well as on the persistently overlooked and under-theorized Indianerfilme, post-AIDS documentaries, sexploitation films, and new multicultural and transnational films produced in Germany under the auspices of the European Union. Organized into three "movements" representing the significance of these developments for their aesthetic theorization, A Companion to German Cinema challenges its readers to address critical gaps in the field with the aim of opening it further onto new terrains of intellectual engagement.

目次

Notes on Editors and Contributors vii Acknowledgments xii Abbreviations xiii Introduction 1 Terri Ginsberg and Andrea Mensch First Movement: Destabilization 23 1 Have Dialectic, Will Travel: The GDR Indianerfilme as Critique and Radical Imaginary 27 Dennis Broe 2 Coming Out into Socialism: Heiner Carow's Third Way 55 David Brandon Dennis 3 German Identity, Myth, and Documentary Film 82 Julia Knight 4 Post-Reunification Cinema: Horror, Nostalgia, Redemption 110 Anthony Enns 5 "Capitalism Has No More Natural Enemies": The Berlin School 134 David Clarke 6 Projecting Heimat: On the Regional and the Urban in Recent Cinema 155 Jennifer Ruth Hosek 7 No Happily Ever After: Disembodying Gender, Destabilizing Nation in Angelina Maccarone's Unveiled 175 Gayatri Devi Second Movement: Dislocation 193 8 Views across the Rhine: Border Poetics in Straub-Huillet's Machorka-Muff (1962) and Lothringen! (1994) 197 Claudia Pummer 9 Contested Spaces: Kamal Aljafari's Transnational Palestinian Films 218 Peter Limbrick 10 Fatih Akin's Homecomings 249 Savas Arslan 11 Lessons in Liberation: Fassbinder's Whity at the Crossroads of Hollywood Melodrama and Blaxploitation 260 Priscilla Layne 12 Sexploitation Film from West Germany 287 Harald Steinwender and Alexander Zahlten 13 A Documentarist at the Limits of Queer: The Films of Jochen Hick 318 Robert M. Gillett 14 Models of Masculinity in Postwar Germany: The Sissi Films and the West German Wiederbewaffnungsdebatte 341 Nadja Kramer 15 Crossdressing, Remakes, and National Stereotypes: The Germany-Hollywood Connection 379 Silke Arnold-de Simine Third Movement: Disidentification 405 16 The Aesthetics of Ethnic Cleansing: A Historiographic and Filmic Analysis of Andres Veiel's Balagan 409 Domenica Vilhotti 17 Margarethe von Trotta's Rosenstrasse: "Feminist Re-Visions" of a Historical Controversy 429 Sally Winkle 18 The Baader Oedipus Complex 462 Vojin Sasa Vukadinovic 19 Dislocations: Videograms of a Revolution and the Search for Images 483 Frances Guerin 20 Germany Welcomes Back Its Jews: Go for Zucker! and the Women in German Debate (aka Wiggie-leaks: A Polemical Analysis) 507 Terri Ginsberg 21 Screening the German Social Divide: Aelrun Goette's Die Kinder sind tot 526 David James Prickett 22 A Negative Utopia: Michael Haneke's Fragmentary Cinema 553 Tara Forrest Index 573

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