White rose and the red
著者
書誌事項
White rose and the red
University Press of Florida, 2010, c2009
- : pbk
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
"First paperback printing, 2010"--T.p. verso
Bibliography: p. [323]-326
Includes index
内容説明・目次
内容説明
Never before published, White Rose and the Red is the fictional biography of Elizabeth Siddall, wife of English poet and painter Dante Gabriel Rossetti. This extraordinary novel explores the charged interpersonal relationships between and among Siddall, Rossetti, and other key members of the pre-Raphaelite movement, including William Morris and John Ruskin, in an effort to depict struggles of nineteenth-century women within the avant-garde sphere.
During H.D.'s lifetime, publishers shied away from the novel's radically unconventional hybrid form that combines elements of historical nonfiction, fiction, and biography. As part of the dense and allusive prose trilogy written during and after World War II (along with The Sword Went Out to Sea and The Mystery), White Rose and the Red exemplifies the mythic theme that H.D. saw as unifying all her writing. It also examines how Siddall - a controversial muse and model - became the iconic figure of an artistic movement.
In her clear, energetic, and critically informed introduction, Alison Halsall situates H.D.'s work within an analytical framework that examines factors of gender, class, and spiritualism, which shaped Siddall's posthumous reputation. Halsall enhances the edition by pointing out its relevance to important issues within H.D. scholarship and analyzes Victorian influences on modernist self-definition.
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