Elizabeth Blackadder
Author(s)
Bibliographic Information
Elizabeth Blackadder
Yale University Press in association with National Galleries of Scotland, [2011]
Available at 3 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Exhibition catalogue
"Major summer exhibition at the Scottish National Gallery from July 2011" --p. [6]
Includes bibliographical references
Description and Table of Contents
Description
Elizabeth Blackadder (b. 1931) has a gift for observing the world around her and re-creating it in her own particular style. Her intriguing paintings of plants, animals, landscapes, and still lifes have captivated viewers well beyond her native Scotland. The first woman artist to be elected to both the Royal Academy of Arts and the Royal Scottish Academy, Blackadder has explored a variety of artistic media, including drawing, oil painting, watercolors, and printmaking. Her subjects are drawn from close observation of her surroundings, such as the details of a domestic interior, the bright-hued petals of a tulip, or a view captured from her travels abroad. She sees the underlying structure, design, and color harmony in both the exotic and the everyday. Blackadder's works spring to life on the pages of this catalogue, which tells the fascinating story of her career across the past sixty years, from her early days as a student at Edinburgh College of Art, to her friendships with Scottish painters William George Gillies, William MacTaggart, and Anne Redpath, to her most recent work.
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