書誌事項

Two slave rebellions at sea

edited by George Hendrick and Willene Hendrick

Brandywine Press, 2000

大学図書館所蔵 件 / 2

この図書・雑誌をさがす

収録内容

  • The heroic slave / by Frederick Douglass
  • Benito Cereno / by Herman Melville
  • A narrative of voyages and travels : chapter XVIII / by Amasa Delano

内容説明・目次

内容説明

Fredrick Douglass (1818-1895), a fugitive slave who became the best-known black abolitionist orator and autobiographer, and Herman Melville (1819-1891), a fiction writer recognized for the elusiveness of his meanings, both composed stories about slave revolts at sea. In the decade just before the Civil War, during years of increasingly angry debate about slavery, Douglass in "The Heroic Slave" (1853) and Melville in "Benito Cereno" (1855) fictionalized important slave insurrections. Of the mutiny on the Creole, on which Douglass's story is based, the editors recount what can be recovered about the slave Madison Washington, who led the revolt, and reconstruct the events before and after the uprising. The editors warn the readers that the official documents about the case are all biased against the mutineers, who were never allowed to tell their story to American officials. Addressing largely white readers in the North, Douglass, to the contrary, speaks clearly as an abolitionist: Slaves wanted their freedom and were justified in using violence to gain it. "Benito Cereno" is based on Captain Amasa Delano's chapter in his Narrative of Voyages and Travels... (1817) about a slave mutiny off the coast of South America. Writing in part for a northern readership, Melville tells of a mutiny that, unlike Madison Washington's, was suppressed. Delano's account shows no sympathy for the slaves. Melville's view is hidden in ambiguities. "Benito Cereno" is one of Melville's stories most often collected in anthologies; Douglas's "The Heroic Slave" is rarely reprinted.

目次

Introduction. 1. "The Heroic Slave," by Frederick Douglass. 2. "Benito Cereno," by Herman Melville. 3. "A Narrative of Voyages and Travels," Chapter XVIII, by Amasa Delano

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