Hearing Sappho in New Orleans : the call of poetry from Congo Square to the Ninth Ward
著者
書誌事項
Hearing Sappho in New Orleans : the call of poetry from Congo Square to the Ninth Ward
(Southern literary studies)
Louisiana State University Press, c2012
- : cloth
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. [231]-237) and index
内容説明・目次
内容説明
While sifting through trash in her flooded New Orleans home, Ruth Salvaggio discovered an old volume of Sappho's poetry stained with muck and mold. In her efforts to restore the book, Salvaggio realised that the process reflected how Sappho's own words were unearthed from the refuse of the ancient world. Undertaking such a task in New Orleans, she sets out to recover the city's rich poetic heritage while searching through its flooded debris.
Hearing Sappho in New Orleans is at once a meditation on this poetic city, its many languages and cultures, and a history of its forgotten poetry. Using Sappho's fragments as a guide, Salvaggio roams the streets and neighborhoods of the city as she explores the migrations of lyric poetry from ancient Greece through the African slave trade to indigenous America and ultimately to New Orleans.
The book also directs us to the lyric call of poetry, the voice always in search of a listener. Writing in a post-Katrina landscape, Salvaggio recovers and ponders the social consequences of the ""long song"", lyric chants, especially the voices of women lost in time, as it resonates from New Orleans's ""poetic sites"" like Congo Square, where Africans and Indians gathered in the early eighteenth century, to the modern-day Maple Leaf Bar, where poets still convene on Sunday afternoons. She recovers, for example, an all-but-forgotten young Creole woman named Lélé and leads us all the way up to celebrated contemporary writers such as former Louisiana poet laureate Brenda Marie Osbey, Sybil Kein, Nicole Cooley, and Katherine Soniat. Hearing Sappho in New Orleans is a reminder of poetry's ability to restore and secure fragile and fragmented connections in a vulnerable and imperiled world.
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