The writer in transition : Roger Mais and the decolonization of Caribbean culture
Author(s)
Bibliographic Information
The writer in transition : Roger Mais and the decolonization of Caribbean culture
(American university studies, ser. 19 . General literature ; v. 20)
P. Lang, c1989
Available at 1 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Bibliography: p. [177]-191
Description and Table of Contents
Description
Roger Mais, a writer at the forefront of the emerging nationalist movement of the 1930s, is considered by many the father of modern Caribbean writing. Seeing the clear need for national self-definition, he created a body of writing which, rejecting the European hegemonic literary tradition, was guided by his commitment to discovering his own people and culture, and a voice and language that would be authentic. Even so, Mais's works are misrepresented as demonstrating a monolithic, uncomplicated nationalism. Carefully examined, they reveal tensions between the writer and his role in culture. Mais's works give insight into the process as a society moves from a colonial to a national identity.
Table of Contents
Contents: This is a seminal study of the writer Roger Mais, focused upon the relationship of his work to culture and politics.
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