Europe and love in cinema
著者
書誌事項
Europe and love in cinema
Intellect, 2012
- : pbk
- タイトル別名
-
Europe & love in cinema
大学図書館所蔵 全3件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
内容説明
Europe and Love in Cinema explores the relationship between love and Europeanness in a wide range of films from the 1920s to the present. A critical look at the manner in which love-in its broadest sense-is portrayed in cinema from across Europe and the United States, this volume exposes constructed notions of "Europeanness" that both set Europe apart and define some parts of it as more "European" than others. Through the international distribution process, these films in turn engage with ideas of Europe from both outside and within, while some, treated extensively in this volume, even offer alternative models of love. A bracing collection of essays from top film scholars, Europe and Love in Cinema demonstrates the centrality of desire to film narrative and explores multiple models of love within Europe's frontiers.
目次
Introduction
Part One: Disciplinary and Historical Contexts
Chapter 1: Cinema and Academia: Of Objects of Love and Objects of Study- Thomas Elsaesser
Chapter 2: For Love or Money: Transnational Developments in European Cinema in the 1920s - Andrew Higson
Chapter 3: Love beyond the Nation: Cosmopolitanism and Transational Desire in Cinema - Tim Bergfelder
Part Two: Impossible Loves
Chapter 4: Love in two British films of the late silent period: Hindle Wakes (Maurice Elvey, 1927) and Piccadilly (E.A. Dupont, 1929) - Laura Mulvey
Chapter 5: La dame de Malacca or Eurocentrism's dream of omnipotence - Luisa Passerini
Chapter 6: Love and colonial ambivalence in Spanish Africanist cinema of the early Franco dictatorship - Jo Labanyi
Part Three: Movements in Time-Space
Chapter 7: The love-lives of others: reconstructing German national identity in postwar and post-unification cinema - Sean Allan
Chapter 8: Exiled memories: transnational memoryscapes in recent French cinema - Liliana Ellena
Chapter 9: Migration, attachment, belonging: filming the Mediterranean in Spain and Italy - Enrica Capussotti
Part Four: Cultural Reinscriptions
Chapter 10: Luis Bunuel and explosive love in southern Europe - Luisa Accati
Chapter 11: Love and belonging in Western - Lucy Mazdon
Chapter 12: A conflicted passion: European film - Karen Diehl
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