The pocket essential Mike Hodges
著者
書誌事項
The pocket essential Mike Hodges
(Pocket essentials, film)
Pocket Essentials, 2001
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. 91-92)
内容説明・目次
内容説明
Who is Mike Hodges? One of the great maverick British film-makers. A director who is uncompromising and willing to fight his corner, he has made films over the last three decades that mark him out as a rare and unusual talent.
He is a difficult film-maker to define. His work includes crime drama (Get Carter, Croupier and Pulp), science-fiction (Flash Gordon and The Terminal Man) and even comedy (Morons from Outer Space), but he has also made watchable oddities such as A Prayer for the Dying (Mickey Rourke courting controversy as an IRA killer seeking redemption) and Black Rainbow (a surreal fantasy drama little seen, but much acclaimed).
He started his career in television in the 1960s, but hit the big screen with the violent crime drama Get Carter, a film that has now achieved cult status (recently voted the best British film ever in Hotdog magazine) and continues to be the benchmark any British crime film sets itself against. Though hardly prolific- just eight feature films in 30 years - Mike Hodges makes fascinating movies that just won't go away.
As well as an introductory essay, each of Hodges film and television work is reviewed and analysed. There is also an article looking at the impact and continuing influence of Get Carter and a section listing any other information about Hodges and his films.
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