The Saint-Aubin Livre de caricatures : drawing satire in eighteenth-century Paris
著者
書誌事項
The Saint-Aubin Livre de caricatures : drawing satire in eighteenth-century Paris
(SVEC, 2012:06)
Voltaire Foundation, 2012
- タイトル別名
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The Saint Aubin "Livre de caricatures"
大学図書館所蔵 全11件
  青森
  岩手
  宮城
  秋田
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  福島
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  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
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注記
Includes bibliographical references (p. 447-468) and index
内容説明・目次
内容説明
Out of public sight for over a hundred years, the Livre de caricatures tant bonnes que mauvaises is a remarkable work. This collection of comic and satirical drawings was created by a Parisian luxury embroiderer, Charles-Germain de Saint-Aubin, at a time of rigid press censorship to entertain a small group of family and friends. For today's reader the Livreprovides not only a series of richly imaginative and varied drawings, but also a fascinating and intriguing commentary on pre-Revolutionary Paris.
In this first comprehensive study of the Livre de caricatures, which includes over 190 illustrations, an international team of scholars investigates the motivations and operations behind the making of the book, and the many facets of Parisian life that it illuminates. Embracing politics and religion, theatre, fashion and connoisseurship, and the court of Versailles and the Parisian streets, the scope of the Livre is immense. The work's unique quality is evident in its humour - whimsical, fantastical, challengingly allusive, but not without a sharp political edge when targeting clerics, the court and Louis XV's mistress, Madame de Pompadour.
Known within the Saint-Aubin family as the Livre de culs, the Livre delights in the transgression of social convention and the keen deflation of vanity and pretence. Contributors explore this irreverent image of eighteenth-century Paris in all its glory. In today's world, the visual satire of the Livre de Caricatures continues to resonate, instruct and entertain.
目次
Colin Jones and Juliet Carey, Introduction
I. The Livre de caricatures and the Saint-Aubins
Colin Jones and Emily Richardson, 1. Archaeology and materiality
John Rogister, 2. Decoding the Livre de caricatures
Kim de Beaumont, 3. The Saint-Aubins sketching for fun and profit
II. Historical perspectives
John Shovlin, 4. War, diplomacy and faction
Julian Swann, 5. Politics and religion
Valerie Mainz, 6. Gloire, subversively
Humphrey Wine, 7. Madame de Pompadour
III. Sites of culture
Mark Ledbury, 8. Theatrical life
James H. Johnson, 9. Musical culture
Aileen Ribeiro, 10. Fashioning the feminine
Kimberly Chrisman-Campbell, 11. Costume books and fashion plates
Juliet Carey, 12. The king and his embroiderer
Charlotte Guichard, 13. Connoisseurship: art and antiquities
Perrin Stein, 14. Vases and satire
IV. Contexts
Richard Taws, 15. The precariousness of things
Katie Scott, 16. Saint-Aubin's jokes and their relation to...
Appendix: form and content analysis
List of illustrations
Summaries
List of contributors
Bibliography
Index
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