Cross-cultural connections in crime fictions
著者
書誌事項
Cross-cultural connections in crime fictions
Palgrave Macmillan, c2012
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注記
Includes bibliographical references and index
内容説明・目次
内容説明
A collection of ten original essays forging new interdisciplinary connections between crime fiction and film, encompassing British, Swedish, American and Canadian contexts. The authors explore representations of race, gender, sexuality and memory, and challenge traditional categorisations of academic and professional crime writing.
目次
- Acknowledgements Note on Contributors Introduction
- V.Miller & H.Oakley From the Locked Room to the Globe: Space in Crime Fiction
- D.Schmid The Fact and Fiction of Darwinism: The Representation of Race, Ethnicity and Imperialism in the Sherlock Holmes Stories of Sir Arthur Conan Doyle
- H.A.Goldsmith 'You're not so special, Mr. Ford': the Quest for Criminal Celebrity
- G.Green & L.Horsley Hard-Boiled Screwball: Genre and Gender in the Crime Fiction of Janet Evanovich
- C.Robinson 'A Wanted Man': Transgender as Outlaw in Elizabeth Ruth's Smoke
- S.E.Billingham Dissecting the Darkness of Dexter
- H.Oakley The Machine Gun in the Violin Case: Martin Scorsese, Mean Streets and the Gangster Musical Art Melodrama
- M.Nicholls In the Private Eye: Private Space in the Noir Detective Movie
- B.Nicol 'Death of the Author': Maj Sjoewall and Per Wahloeoe's Police Procedurals
- C.Beyer 'Betty Short and I Go Back': James Ellroy and the Metanarrative of the Black Dahlia Case
- S.Powell Index
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