The culture of fragments : word and images in futurism and surrealism
Author(s)
Bibliographic Information
The culture of fragments : word and images in futurism and surrealism
(Textxet : studies in comparative literature, 11)
Rodopi, 1997
Available at 1 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references (p. [189]-197) and index
Description and Table of Contents
Description
Works of art such as paintings with words on them or poems shaped as images communicate to the viewer by means of more than one medium. Here is presented a particular group of hybrid art works from the early twentieth century, to discover in what way words and images can function together to create meaning.
The four central artists considered in this study investigate word/image forms in their work. F.T. Marinetti invented parole in liberta, among other ideas, to free language from syntactic connections. Umberto Boccioni experimented with newspaper clippings on the canvas from 1912-1915, and these collages constitute an important exploration into word/image forms. Andre Breton's collection of poems Clair de terre (1923) contains several typographical variations for iconographic effect. Rene Magritte explored the relationship between words and images, juxtaposing signifiers to contradictory signifieds on the canvas. A final chapter introduces media other than poetry and painting on which words and images appear. Posters, the theater, and the relatively new medium of cinema foreground words and images constantly.
This volume will be of interest to scholars of twentieth-century French or Italian literature or painting, and to scholars of word and image studies.
Table of Contents
List of illustrations. Acknowledgments. 1. Introduction. 2. Between Words and Images. 3. Marinetti's Zang Tumb Tum: Exploding Words as Images. 4. Boccioni's Words and Images: The Fragmented Canvas. 5. Breton's Clair de Terre: Refracted Words and Images or the Iconography of the Prism. 6. Magritte before the Void between Words and Images. 7. Beyond Poetry and Painting. 8. Conclusion. Illustrations. Works Cited.
by "Nielsen BookData"