The social life of painting in ancient Rome and on the Bay of Naples
Author(s)
Bibliographic Information
The social life of painting in ancient Rome and on the Bay of Naples
Cambridge University Press, 2011
- : pbk.
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Note
"First paperback edition 2011"--T.p.verso
Includes bibliographical references (p. 321-333) and index
Description and Table of Contents
Description
In this study, Eleanor Winsor Leach offers a new interpretation of Roman painting as found in domestic spaces of the elite classes of ancient Rome and Campania. Because the Roman house fulfilled an important function as the seat of its owner's political power, its mural decoration provides critical evidence for the interrelationship between public and private life. The painted images, Leach contends, reflect the codes of communication embedded in upper class life, such as the performative theatricality that was expected of those leading public lives, the self-conscious assimilation of Hellenistic culture among aristocrats and the ambivalent attitudes towards luxury as a coveted sign of power and a symptom of ethical degeneracy. Relying on contemporary literary sources, this book also integrates historical and semantic approaches to an investigation of the visual language through which painting communicates with its viewers. It also offers a fresh perspective on the demography of Pompeii and the relationship between the colony and Rome as reflected in its wall painting.
Table of Contents
- Introduction: the world's common property
- 1. Domestic context
- 2. Panels and porticoes
- 3. The model of the scaenae frons
- 4. Gardens and picture galleries
- 5. The style of luxury
- 6. Demography and decoration
- Conclusion: beyond '79 in Rome and Campania.
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