Weegee
著者
書誌事項
Weegee
Phaidon, 2004
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes biography
内容説明・目次
内容説明
This definitive monograph on the enigmatic and eccentric photographer Weegee is a collector's item in itself. Weegee (1899-1968), known for his harrowing and poignant photographs of crime scenes in 1930s and 40s New York, is considered to be the archetypal tabloid photographer of the twentieth century.
Preferring to photograph under the cover of night, Weegee was known for his aggressive use of flash and his photographic eye was unstoppable: drawn to the grotesque, the illicit and the illegal. Named after the 'Ouija' board for his uncanny ability to arrive at the crime scene before the police, Weegee recorded the dark side of New York's streets for years, becoming a prolific photographer. No sordid crime seemed to escape his flash and no crime was too gruesome to capture on camera for the papers the next day.
Weegee's nuanced understanding of people's simultaneous repulsion and attraction to vivid photographs of crimes of passion, murder and brutal accidents reveals him to have been far ahead of his time. Even today his photographs tirelessly retain the power to stun and to seduce: the originality of the images has elevated them in importance far beyond their use in the newspapers.
目次
Portrait of the photographer - 4,000-word essay by subject expert- 55 photographs presented chronologically over 110 pages (1 photograph per spread, with title and 1 paragraph commentary) - Brief biography of the photographer
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