Freak shows and the modern American imagination : constructing the damaged body from Willa Cather to Truman Capote

書誌事項

Freak shows and the modern American imagination : constructing the damaged body from Willa Cather to Truman Capote

Thomas Fahy

(American literature readings in the 21st century)

Palgrave Macmillan, 2011, c2006

  • : paperback

大学図書館所蔵 件 / 4

この図書・雑誌をさがす

注記

"First Palgrave Macmillan paperback edition: September 2011" -- T.p. verso

Bibliography: p. [169]-181

Includes index

内容説明・目次

内容説明

This book examines the artistic use of freak shows between 1900-1950. During this period, the freak show shifted from a highly popular and profitable form of entertainment to a reviled one. But why? And how does this response reflect larger social changes in the United States at the time? Fahy examines this change and how artists responded.

目次

Introduction 'Helpless Meanness': Constructing the Black Body as Freakish Spectacle War-Injured Bodies: Fallen Soldiers in American Propaganda and the Works of John Dos Passos, Willa Cather, Ernest Hemingway, and William Faulkner Worn, Damaged Bodies in the Great Depression: FSA Photography and the Fiction of John Steinbeck, Tillie Olsen, and Nathanael West 'Some Unheard-of Thing': Freaks, Families, and Coming of Age in Carson McCullers and Truman Capote Breakfast at Brian's Epilogue

「Nielsen BookData」 より

関連文献: 1件中  1-1を表示

詳細情報

ページトップへ