Constructivism in film : the man with the movie camera : a cinematic analysis
Author(s)
Bibliographic Information
Constructivism in film : the man with the movie camera : a cinematic analysis
（Cambridge studies in film）
Cambridge University Press, 2012
2nd ed., rev. ed. (with new chapter IV)
- : pbk
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Note
Includes bibliographical references and index
Description and Table of Contents
Description
Constructivism in Film examines the radical experiments of early Soviet filmmakers, with special emphasis on the relationship of Constructivist film to contemporary literature, painting, architecture and design. Surveying the socio-political aspects of the Constructivist movement as well, Vlada Petric then analyzes in detail the most important silent film produced during this era, Dziga Vertov's The Man with the Movie Camera (1929). This updated edition contains a new chapter about the descriptive score of the film.
Table of Contents
- Preface
- Acknowledgement
- 1. Dziga Vertov and the Soviet avant-garde movement
- 2. Thematic meaning of The Man with the Movie Camera
- 3. Formal structure of The Man with the Movie Camera
- 4. Descriptive score for The Man with the Movie Camera
- Appendices
- Notes
- Frame enlargements
- Plates
- Index.
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