In sight of America : photography and the development of U.S. immigration policy
Author(s)
Bibliographic Information
In sight of America : photography and the development of U.S. immigration policy
(American crossroads, 28)
University of California Press, c2009
- : pbk
Available at 4 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Bibliography: p. 279-306
Includes index
Description and Table of Contents
Description
When restrictive immigration laws were introduced in the late-nineteenth and early-twentieth centuries, they involved new requirements for photographing and documenting immigrants--regulations for visually inspecting race and health. This work is the first to take a comprehensive look at the history of immigration policy in the United States through the prism of visual culture. Including many previously unpublished images, and taking a new look at Lewis Hine's photographs, Anna Pegler-Gordon considers the role and uses of visual documentation at Angel Island for Chinese immigrants, at Ellis Island for European immigrants, and on the U.S.-Mexico border. Including fascinating close visual analysis and detailed histories of immigrants in addition to the perspectives of officials, this richly illustrated book traces how visual regulations became central in the early development of U.S. immigration policy and in the introduction of racial immigration restrictions. In so doing, it provides the historical context for understanding more recent developments in immigration policy and, at the same time, sheds new light on the cultural history of American photography.
Table of Contents
List of Figures List of Tables Acknowledgments Introduction 1. First Impressions: Chinese Exclusion and the Introduction of Immigration Documentation, 1875--1909 2. Photographic Paper Sons: Resisting Immigration Identity Documentation, 1893--1943 3. Ellis Island as an Observation Station: Spectacle and Surveillance, 1892--1924 4. Ellis Island as a Photo Studio: The Honorific Ethnographic Image, 1904--26 5. The Imaginary Line: Passing and Passports on the Mexican-U.S. Border, 1906--17 6. The Dividing Line: Documentation on the Mexican-U.S. Border, 1917--34 Conclusion Notes Bibliography Index
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