Acharnians ; Knights ; and, Peace
著者
書誌事項
Acharnians ; Knights ; and, Peace
(Oklahoma series in classical culture, v. 45)
University of Oklahoma Press, c2012
- : pbk. : alk. paper
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Translated from Greek
Includes bibliographical references
内容説明・目次
内容説明
Most readers nowadays encounter the plays of Aristophanes in the classroom, not the theater. Yet the ""father of comedy"" wrote his plays for the stage, not as literary texts. Many English translations of the plays were written decades ago, and in their outdated language they fail to capture the dramatic liveliness of the original comedies.
Here Michael Ewans offers new and lively translations of three of Aristophanes' earliest surviving plays: Acharnians, Knights, and Peace. While remaining faithful to the original Greek, Ewans's translations are accessible to a modern audience - and actable on stage.
The first two plays in this volume, Acharnians and Knights, satirize the Athenians for their madness in continuing the Peloponnesian War. The third play, Peace, celebrates the end to all the warmongering. This edition contains all that a reader needs to understand these plays within a broader context. In his comprehensive introduction, Ewans discusses historical, political, and social aspects of Aristophanic comedy, the conventions of Greek theater, and the challenges of translating ancient Greek into modern English. In his theatrical commentaries, Ewans draws on his own experience of directing the plays in a replica of the original theater. In sceneby-scene analysis, he provides insight into the major issues each play raises in performance. The volume concludes with two glossaries - one of proper names and the other of Greek terms - as well as a bibliography that includes the most recent scholarship on Aristophanic comedy.
With its accessible format and design, this book serves as a fitting companion to Ewans's recently published edition of Aristophanes' Lysistrata, The Women's Festival, and Frogs.
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