Acharnians ; Knights ; and, Peace
Author(s)
Bibliographic Information
Acharnians ; Knights ; and, Peace
(Oklahoma series in classical culture, v. 45)
University of Oklahoma Press, c2012
- : pbk. : alk. paper
Available at 2 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Translated from Greek
Includes bibliographical references
Description and Table of Contents
Description
Most readers nowadays encounter the plays of Aristophanes in the classroom, not the theater. Yet the ""father of comedy"" wrote his plays for the stage, not as literary texts. Many English translations of the plays were written decades ago, and in their outdated language they fail to capture the dramatic liveliness of the original comedies.
Here Michael Ewans offers new and lively translations of three of Aristophanes' earliest surviving plays: Acharnians, Knights, and Peace. While remaining faithful to the original Greek, Ewans's translations are accessible to a modern audience - and actable on stage.
The first two plays in this volume, Acharnians and Knights, satirize the Athenians for their madness in continuing the Peloponnesian War. The third play, Peace, celebrates the end to all the warmongering. This edition contains all that a reader needs to understand these plays within a broader context. In his comprehensive introduction, Ewans discusses historical, political, and social aspects of Aristophanic comedy, the conventions of Greek theater, and the challenges of translating ancient Greek into modern English. In his theatrical commentaries, Ewans draws on his own experience of directing the plays in a replica of the original theater. In sceneby-scene analysis, he provides insight into the major issues each play raises in performance. The volume concludes with two glossaries - one of proper names and the other of Greek terms - as well as a bibliography that includes the most recent scholarship on Aristophanic comedy.
With its accessible format and design, this book serves as a fitting companion to Ewans's recently published edition of Aristophanes' Lysistrata, The Women's Festival, and Frogs.
by "Nielsen BookData"