{"@context":{"owl":"http://www.w3.org/2002/07/owl#","bibo":"http://purl.org/ontology/bibo/","foaf":"http://xmlns.com/foaf/0.1/","rdfs":"http://www.w3.org/2000/01/rdf-schema#","prism":"http://prismstandard.org/namespaces/basic/2.0/","cinii":"http://ci.nii.ac.jp/ns/1.0/","dc":"http://purl.org/dc/elements/1.1/","dcterms":"http://purl.org/dc/terms/"},"@id":"https://ci.nii.ac.jp/ncid/BB09851132.json","@graph":[{"@id":"https://ci.nii.ac.jp/ncid/BB09851132#entity","@type":"bibo:Book","foaf:isPrimaryTopicOf":{"@id":"https://ci.nii.ac.jp/ncid/BB09851132.json"},"dc:title":[{"@value":"Signatures of the past : cultural memory in contemporary Anglophone North American drama"}],"dc:creator":"Marc Maufort & Caroline De Wagter (eds.)","dc:publisher":[{"@value":"P.I.E. P. Lang"}],"dcterms:extent":"312 p.","cinii:size":"22 cm","dc:language":"eng","dc:date":"2008","cinii:ncid":"BB09851132","cinii:ownerCount":"1","foaf:maker":[{"@id":"https://ci.nii.ac.jp/author/DA04153987#entity","@type":"foaf:Person","foaf:name":[{"@value":"Maufort, Marc"}]},{"@type":"foaf:Person","foaf:name":[{"@value":"De Wagter, Caroline"}]}],"bibo:owner":[{"@id":"https://ci.nii.ac.jp/library/FA009224","@type":"foaf:Organization","foaf:name":"国立民族学博物館 情報管理施設","rdfs:seeAlso":{"@id":"https://opac.minpaku.ac.jp/webopac/ufirdi.do?ufi_target=ctlsrh&ncid=BB09851132"}}],"bibo:lccn":["2008035153"],"rdfs:seeAlso":[{"@id":"https://lccn.loc.gov/2008035153"}],"prism:publicationDate":["c2008"],"cinii:note":["Includes bibliographical references"],"dc:subject":["LCC:PR9191.5","DC22:812/.5409"],"cinii:contentOfWorks":["Signatures of cultural memory / Marc Maufort","Hopeful monsters and doomed freaks : evolutionary overtones in Canadian and American drama / Craig Walker","Remembering Africa, performing cultural memory : Lorraine Hansberry, Suzan-Lori Parks and Djanet Sears / Harry J. Elam","Performing intercultural memory in the diasporic present : the case of Toronto / Ric Knowles","The ground on which I stand : rewriting history, African Canadian style / Jacqueline Petropoulos","Mixed race and cultural memory : Carl Hancock Rux' Talk / Michele Elam","Remembering Agraba : Canadian political theatre and the construction of cultural memory / Jerry Wasserman","Contending with rupture : memory-work in Latina-Canadian playwriting / Guillermo Verdecchia","La tierra, nuestra madre : land, burial, memory and chicanidad in the dramaturgies of Alfaro, Moraga, and Sanchez-Scott / Phil Howard","Impossible patriots : the exiled queer citizen in Cherríe Moraga's The hungry woman, a Mexican Medea / Micaela Díaz-Sánchez","Indigena as scribe : the (w)rite to remember / Cherríe L. Moraga","Cositas quebradas : performance codex / Celia Herrera Rodríguez","Prior was here : renegotiating a role for the ghost of cultural memory in four Cree plays / Mary Blackstone","Being in a memory but present in time : re-inscription of multiple memories in Marie Clements' The unnatural and accidental women / Sheila Rabillard","The bones perform : ola nā iwi and the viability of memory / Sammie Choy","The creation of shifting local identities : historically-based theatre in a Canadian small city / Ginny Ratsoy","Memories, hauntings and exorcisms in Brad Fraser's Snake in fridge / Roberta Mock","Spreading American feminism : The vagina monologues and cultural identity / Susan Kattwinkel","Suddenly, Canada is hot : memories of Canadian identity construction as cultural export in Michael Healey's the drawer boy / Birgit Schreyer Duarte","Re-configuring cultural memory in Chay Yew's Wonderland and M.J. Kang's Blessings / Caroline De Wagter","Performing the Asian American signature in law and theatre / Karen Shimakawa"],"foaf:topic":[{"@id":"https://ci.nii.ac.jp/books/search?q=Canadian+drama+--+Minority+authors+--+History+and+criticism","dc:title":"Canadian drama -- Minority authors -- History and criticism"},{"@id":"https://ci.nii.ac.jp/books/search?q=Canadian+drama+--+20th+century+--+History+and+criticism","dc:title":"Canadian drama -- 20th century -- History and criticism"},{"@id":"https://ci.nii.ac.jp/books/search?q=American+drama+--+Minority+authors+--+History+and+criticism","dc:title":"American drama -- Minority authors -- History and criticism"},{"@id":"https://ci.nii.ac.jp/books/search?q=American+drama+--+20th+century+--+History+and+criticism","dc:title":"American drama -- 20th century -- History and criticism"},{"@id":"https://ci.nii.ac.jp/books/search?q=Collective+memory+in+literature","dc:title":"Collective memory in literature"},{"@id":"https://ci.nii.ac.jp/books/search?q=Minorities+in+literature","dc:title":"Minorities in literature"},{"@id":"https://ci.nii.ac.jp/books/search?q=Identity+%28Psychology%29+in+literature","dc:title":"Identity (Psychology) in literature"},{"@id":"https://ci.nii.ac.jp/books/search?q=Theater+and+society+--+Canada+--+History+--+20th+century","dc:title":"Theater and society -- Canada -- History -- 20th century"},{"@id":"https://ci.nii.ac.jp/books/search?q=Theater+and+society+--+United+States+--+History+--+20th+century","dc:title":"Theater and society -- United States -- History -- 20th century"}],"dcterms:isPartOf":[{"@id":"https://ci.nii.ac.jp/ncid/BA64105104#entity","dc:title":"Dramaturgies, no. 24","@type":"bibo:Book"}],"dcterms:hasPart":[{"@id":"urn:isbn:9789052014548"}]}]}