Metareference across media : theory and case studies : dedicated to Walter Bernhart on the occasion of his retirement

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書誌事項

Metareference across media : theory and case studies : dedicated to Walter Bernhart on the occasion of his retirement

edited by Werner Wolf ; in collaboration with Katharina Bantleon and Jeff Thoss

（Studies in intermediality / Walter Bernhart, executive editor ; Lawrence Kramer ... [et al.] , series editors, 4）

Rodopi, 2009

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注記

Includes bibliographical references and index

内容説明・目次

内容説明

Strange as it may seem, Cervantes's novel Don Quixote, Marc Forster's film Stranger than Fiction, Shakespeare's play A Midsummer Night's Dream, Pere Borrell del Caso's painting "Escaping Criticism" reproduced on the cover of the present volume and Mozart's sextet "A Musical Joke" all share one common feature: they include a meta-dimension. Metaization - the movement from a first cognitive, referential or communicative level to a higher one on which first-level phenomena self-reflexively become objects of reflection, reference and communication in their own right - is in fact a common feature not only of human thought and language but also of the arts and media in general. However, research into this issue has so far predominantly focussed on literature, where a highly differentiated, albeit strictly monomedial critical toolbox exists. Metareference across Media remedies this onesidedness and closes the gap between literature and other media by providing a transmedial framework for analysing metaphenomena. The essays transcend the current notion of metafiction, pinpoint examples of metareference in hitherto neglected areas, discuss the capacity for metaization of individual media or genres from a media-comparative perspective, and explore major (historical) forms and functions as well aspects of the development of metaization in cultural history. Stemming from diverse disciplinary and methodological backgrounds, the contributors propose new and refined concepts and models and cover a broad range of media including fiction, drama, poetry, comics, photography, film, computer games, classical as well as popular music, painting, and architecture. This collection of essays, which also contains a detailed theoretical introduction, will be relevant to students and scholars from a wide variety of fields: intermediality studies, semiotics, literary theory and criticism, musicology, art history, and film studies.

目次

Preface Introduction Werner Wolf: Metareference across Media: The Concept, its Transmedial Potentials and Problems, Main Forms and Functions Theoretical Aspects of Metareference, Illustrated with Examples from Various Media Winfried Noeth: Metareference from a Semiotic Perspective Andreas Mahler: The Case is 'this': Metareference in Magritte and Ashbery Irina O. Rajewsky: Beyond 'Metanarration': Form-Based Metareference as a Transgeneric and Transmedial Phenomenon Sonja Klimek: Metalepsis and Its (Anti-)Illusionist Effects in the Arts, Media and Role-Playing Games Metareference in Music Hermann Danuser: Generic Titles: On Paratextual Metareference in Music Tobias Janz: "Music about Music": Metaization and Intertextuality in Beethoven's Prometheus Variations op. 35 Rene Michaelsen: Exploring Metareference in Instrumental Music - The Case of Robert Schumann David Francis Urrows: Phantasmic Metareference: The Pastiche 'Operas' in Lloyd Webber's The Phantom of the Opera Joerg-Peter Mittmann: Intramedial Reference and Metareference in Contemporary Music Martin Butler: "Please Play This Song on the Radio": Forms and Functions of Metareference in Popular Music Metareference in the Visual Arts Henry Keazor : "L'architecture n'est pas un art rigoureux": Jean Nouvel, Postmodernism and Meta-Architecture Katharina Bantleon, Jasmin Haselsteiner-Scharner: Of Museums, Beholders, Artworks and Photography: Metareferential Elements in Thomas Struth's Photographic Projects Museum Photographs and Making Time Metareference in Film/Cinema Jean-Marc Limoges: The Gradable Effects of Self-Reflexivity on Aesthetic Illusion in Cinema Barbara Pfeifer: Novel in/and Film: Transgeneric and Transmedial Metareference in Stranger than Fiction Metareference in Literature Hans Ulrich Seeber: Narrative Fiction and the Fascination with the New Media Gramophone, Photography and Film: Metafictional and Media-Comparative Aspects of H. G. Wells' A Modern Utopia and Beryl Bainbridge's Master Georgie Daniella Jancso: Metareference and Intermedial Reference: William Carlos Williams' Poetological Poems Metareference in Various Individual Media Ingrid Pfandl-Buchegger, Gudrun Rottensteiner: Metareferentiality in Early Dance: The Jacobean Antimasque Karin Kukkonen: Textworlds and Metareference in Comics Doris Mader: Metareference in the Audio-/Radioliterary Soundscape Fotis Jannidis: Metareference in Computer Games Metareference in More than One Medium Janine Hauthal: When Metadrama Is Turned into Metafilm: A Media-Comparative Approach to Metareference Andreas Boehn: Quotation of Forms as a Strategy of Metareference Erika Greber: 'The Media as Such': Meta-Reflection in Russian Futurism - A Case Study of Vladimir Mayakovsky's Poetry, Paintings, Theatre, and Films Notes on Contributors Index

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