Vigilant things : on thieves, Yoruba anti-aesthetics, and the strange fates of ordinary objects in Nigeria
著者
書誌事項
Vigilant things : on thieves, Yoruba anti-aesthetics, and the strange fates of ordinary objects in Nigeria
University of Washington Press, c2011
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. 394-405) and index
内容説明・目次
内容説明
Winner of the 2012 Melville J. Herskovits award (African Studies Association)
Throughout southwestern Nigeria, Yoruba men and women create objects called aale to protect their properties-farms, gardens, market goods, firewood-from the ravages of thieves. Aale are objects of such unassuming appearance that a non-Yoruba viewer might not register their important presence in the Yoruba visual landscape: a dried seedpod tied with palm fronds to the trunk of a fruit tree, a burnt corncob suspended on a wire, an old shoe tied with a rag to a worn-out broom and broken comb, a ripe red pepper pierced with a single broom straw and set atop a pile of eggs. Consequently, aale have rarely been discussed in print, and then only as peripheral elements in studies devoted to other issues. Yet aale are in no way peripheral to Yoruba culture or aesthetics.
In Vigilant Things, David T. Doris argues that aale are keys to understanding how images function in Yoruba social and cultural life. The humble, often degraded objects that comprise aale reveal as eloquently as any canonical artwork the channels of power that underlie the surfaces of the visible. Aale are warnings, intended to trigger the work of conscience. Aale objects symbolically threaten suffering as the consequence of transgression-the suffering of disease, loss, barrenness, paralysis, accident, madness, fruitless labor, or death-and as such are often the useless residues of things that were once positively valued: empty snail shells, shards of pottery, fragments of rusted iron, and the like. If these objects share "suffering" and "uselessness" as constitutive elements, it is because they already have been made to suffer and become useless. Aale offer would-be thieves an opportunity to recognize themselves in advance of their actions and to avoid the thievery that would make the "useless" people.
目次
Map 1. Yorubaland
Map 2. Detal of Map 1
Acknowledgements
A Note on Orthography
A Note on Language and Translation
A Note on Photography
Introduction
Part 1 - Creating Aale
Presence, Power, and the Past
Palm Fronds (Mariwo)
Part 2 - Call-and-Response
What We Look at and Remember
Color (Awo)
Part 3 - Portraits and Punishments
An Ontology of the Broken
Corncobs (Suku Agbado)
Snail Shells (Ikarawun Igbin)
Brooms (Igbale)
Coda
... This Semblance of Persistence
Appendix 1 A history of aale, by babalawo Kolawole Oshitola
Appendix 2 The origin of aale in the divination orature of Ifa, by babalawo Ifarinwale Ogundiran
Appendix 3 A biography of Chief Apena Ajawesola Awala Omo Iyamokun, by himself
Glossary
Works Consulted
Index
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