Interpreting great classics of literature as metatheatre and metafiction : Ovid, Beowulf, Corneille, Racine, Wieland, Stoppard, and Rushdie

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書誌事項

Interpreting great classics of literature as metatheatre and metafiction : Ovid, Beowulf, Corneille, Racine, Wieland, Stoppard, and Rushdie

edited by David Gallagher ; with a foreword by John T. Hamilton

（Studies in comparative literature, v. 68）

Edwin Mellen Press, c2010

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注記

Includes bibliographical references (p. 155-164)

内容説明・目次

内容説明

This volume examines literary texts from different periods, literary traditions and cultures as metatheatre and metafiction. The works are analyzed for their impact on, and relation to, the seventeenth-century French drama, the eighteenth-century German novel, twentieth-century English drama, an old English epic text, Indian postmodernist fiction, as well as Greek and Roman Classical works of antiquity.

目次

  • Foreword by Professor John T. Hamilton
  • Acknowledgements
  • Introduction by David Gallagher and Mary Ann Frese Witt
  • Chapter 1:
  • Metatheatre on Metatheatre: Kushner on Corneille
  • Mary Ann Frese Witt (North Carolina State University)
  • Chapter 2:
  • Metatheatre and Philosophy: Tom Stoppard and the Juggling of Ideas
  • Martin Puchner (Columbia University)
  • Chapter 3:
  • Jean Racine's and Matthew Maguire's Phaedras
  • Athena Coronis (University of Patras)
  • Chapter 4:
  • Metaliterary Metaphor in Ovid's Metamorphoses
  • Anita Nikkanen (Harvard University)
  • Chapter 5: Manifesting Beowulf's Meta-Monsters
  • Ali M. Meghdadi (University of California, Irvine)
  • Chapter 6:
  • Rushdie's Metafictional Extravaganza: Storytelling in The Enchantress of Florence and Midnight's Children
  • Aparna Zambare (Central Michigan University)
  • Chapter 7:
  • Metafiction in Wieland's Geschichte des Agathon
  • David Gallagher (Royal Holloway, University of London)
  • Notes
  • Bibliography.

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