Interpreting great classics of literature as metatheatre and metafiction : Ovid, Beowulf, Corneille, Racine, Wieland, Stoppard, and Rushdie
著者
書誌事項
Interpreting great classics of literature as metatheatre and metafiction : Ovid, Beowulf, Corneille, Racine, Wieland, Stoppard, and Rushdie
(Studies in comparative literature, v. 68)
Edwin Mellen Press, c2010
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注記
Includes bibliographical references (p. 155-164)
内容説明・目次
内容説明
This volume examines literary texts from different periods, literary traditions and cultures as metatheatre and metafiction. The works are analyzed for their impact on, and relation to, the seventeenth-century French drama, the eighteenth-century German novel, twentieth-century English drama, an old English epic text, Indian postmodernist fiction, as well as Greek and Roman Classical works of antiquity.
目次
- Foreword by Professor John T. Hamilton
- Acknowledgements
- Introduction by David Gallagher and Mary Ann Frese Witt
- Chapter 1:
- Metatheatre on Metatheatre: Kushner on Corneille
- Mary Ann Frese Witt (North Carolina State University)
- Chapter 2:
- Metatheatre and Philosophy: Tom Stoppard and the Juggling of Ideas
- Martin Puchner (Columbia University)
- Chapter 3:
- Jean Racine's and Matthew Maguire's Phaedras
- Athena Coronis (University of Patras)
- Chapter 4:
- Metaliterary Metaphor in Ovid's Metamorphoses
- Anita Nikkanen (Harvard University)
- Chapter 5: Manifesting Beowulf's Meta-Monsters
- Ali M. Meghdadi (University of California, Irvine)
- Chapter 6:
- Rushdie's Metafictional Extravaganza: Storytelling in The Enchantress of Florence and Midnight's Children
- Aparna Zambare (Central Michigan University)
- Chapter 7:
- Metafiction in Wieland's Geschichte des Agathon
- David Gallagher (Royal Holloway, University of London)
- Notes
- Bibliography.
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