F.C. Gundlach : the photographic work
著者
書誌事項
F.C. Gundlach : the photographic work
Steidl, 2011
- タイトル別名
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Photographic work
大学図書館所蔵 全4件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Exhibition catalogue
Catalog of the exhibition held at the Haus der Photographie, Deichtorhallen, Hamburg, April 12-September 7, 2008, Martin-Gropius-Bau, Berlin, November 21, 2009-March 14, 2010, Neues Museum, Nürnberg, March 4-June 26, 2011
Includes bibliographical references (p. 296-297)
内容説明・目次
内容説明
This definitive monograph brings together Gundlach's fashion work for the first time and establishes him as a leading light of the industry. One of the most distinguished German fashion photographers of the post-war era, Gundlach wrote fashion history over a period of forty years. His work presents not only the evolution of clothing, but also the poses, gestures, props and locations, which have defined the changing idea of beauty over decades. Alongside this work, Gundlach also created emphatic portraits, reportages and travel photography. Gundlach has always considered himself a photographer on assignment, and his work for high-circulation magazines shaped the public's perception of fashion. Yet his images also captured the spirit of their time, embodying the optimism of the meagre days after the war, through op and pop art to post-modernism. The Photographic Work is the long-awaited English edition of the original German book, which won a Silver Deutscher Fotobuchpreis in 2009. F.C. Gundlach was born in Heinebach, Germany in 1926, and his work portraits fashion from 1950 to 1990, from haute couture to pret-a-porter, from Berlin's tailoring to today's unisex fashion.
Working for magazines such as Film und Frau (1952-1966) and Brigitte (1963-1986), Gundlach was formative in determining the public perception of fashion at this time. His is the oeuvre of a great photographer who defied in Theodor W. Adorno's words the "clotted discrepancy between the sterile and the useful" of visual imagery.
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