Art of another kind : international abstraction and the Guggenheim, 1949-1960
Author(s)
Bibliographic Information
Art of another kind : international abstraction and the Guggenheim, 1949-1960
Guggenheim Museum Publications, c2012
Available at 2 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Exhibition catalogue
Published on the occasion of an exhibition held at the Solomon R. Guggenheim Museum, New York, June 8-Sept. 12, 2012
Exhibitors: Carla Accardi, Yaacov Agam, Pierre Alechinsky ... [et al.]
Includes bibliographical references
Description and Table of Contents
Description
Pioneering artists in the post-World War II era alternatively embraced artistic freedom and gesture-based styles, nontraditional materials and countercultural references. French art critic Michel Tapie even declared the existence of un art autre (art of another kind) - a radical break with all traditional notions of order and composition, in a movement toward something wholly `other'. This catalogue accompanies the Solomon R. Guggenheim Museum exhibition `Art of Another Kind: International Abstraction and the Guggenheim, 1949-1960', which especially highlights works that entered into the collection during the tenure of then-director James Johnson Sweeney. Featuring nearly 100 works by Louise Bourgeois, Alberto Burri, Asger Jorn, Willem de Kooning, Jackson Pollock, Pierre Soulages, Antoni Tapies and Zao Wou-Ki, among others, this collection-based exhibition explores the affinities and differences between artists working continents apart in a period of great transition and rapid creative development. This fully illustrated exhibition catalogue includes essays by Tracey Bashkoff, Megan M. Fontanella, and Joan Marter; an illustrated chronology; and short biographies of the artists.
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