Artwriting, nation, and cosmopolitanism in Britain : the 'Englishness' of English art theory since the eighteenth century
著者
書誌事項
Artwriting, nation, and cosmopolitanism in Britain : the 'Englishness' of English art theory since the eighteenth century
(British art : global contexts)
Ashgate, c2012
- : hbk
- タイトル別名
-
Artwriting, nation, and cosmopolitanism in Britain : the "Englishness" of English art theory since the eighteenth century
大学図書館所蔵 全7件
  青森
  岩手
  宮城
  秋田
  山形
  福島
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  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
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注記
Includes bibliographical references (p. [149]-178) and index
内容説明・目次
内容説明
Arguing in favour of renewed critical attention to the 'nation' as a category in art history, this study examines the intertwining of art theory, national identity and art production in Britain from the early eighteenth century to the present day. The book provides the first sustained account of artwriting in the British context over the full extent of its development and includes new analyses of such central figures as Hogarth, Reynolds, Gilpin, Ruskin, Roger Fry, Herbert Read, Art & Language, Peter Fuller and Rasheed Araeen. Mark A. Cheetham also explores how the 'Englishing' of art theory-which came about despite the longstanding occlusion of the intellectual and theoretical in British culture-did not take place or have effects exclusively in Britain. Theory has always travelled with art and vice versa. Using the frequently resurgent discourse of cosmopolitanism as a frame for his discourse, Cheetham asks whether English traditions of artwriting have been judged inappropriately according to imported criteria of what theory is and does. This book demonstrates that artwriting in the English tradition has not been sufficiently studied, and that 'English Art Theory' is not an oxymoron. Such concerns resonate today beyond academe and the art world in the many heated discussions of resurgent Englishness.
目次
- Contents: Introduction: Artwriting and national identity (or, no theory please, we're English)
- Englishness, foreignness, and Empire in British artwriting, c. 1700-1900
- Indigenes, imports, and exports: Englishness in artwriting from modernism to the 21st century
- Bibliography
- Index.
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