Genji's world in Japanese woodblock prints : from the Paulette and Jack Lantz Collection
著者
書誌事項
Genji's world in Japanese woodblock prints : from the Paulette and Jack Lantz Collection
Hotei Pub., c2012
- タイトル別名
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Genji's world in Japanese woodblock prints
大学図書館所蔵 全16件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Exhibition catalogue
Catalogue of an exhibition held at Scripps College, Claremont, Calif., Oct. 27-Dec. 16, 2012; DePauw University, Greencastle, Ind., Jan. 20-Apr. 21, 2013; Clark Center for Japanese Art and Culture, Hanford, Calif., May 4-July 27, 2013, ほか2会場巡回
Other contributors: Michael Emmerich, Susanne Formanek, Sepp Linhart, Rhiannon Paget
Bibliography: p. 284-287
Includes indexes
内容説明・目次
内容説明
Genji's world in Japanese Woodblock Prints provides the first comprehensive overview of Genji prints, an exceptional subject and publishing phenomenon among Japanese woodblock prints that gives insight into nineteenth-century Japan and its art practices.
In the late 1820s, when the writer Ryutei Tanehiko (1783-1842), the print designer and book illustrator Utagawa Kunisada (1786-1865) and the publisher Tsuruya Kiemon sat down together in Edo to plot the inaugural chapter of the serial novel A Rustic Genji by a Fraudulent Murasaki (Nise Murasaki inaka Genji), it is doubtful that any one of them envisioned that their actions would generate a new genre in Japanese woodblock prints that would flourish until the turn of the century, Genjie ("Genji pictures"). During these sixty years, over 1,300 original designs were created, of which many were very popular at their time of release.
The story of A Rustic Genji, set in fifteenth-century Japan, is in many respects drawn from Murasaki Shikibu's (c.973-1014/25) classic novel The Tale of Genji from the early eleventh century.
As the foremost collection of prints of this subject, the extensive holdings of Paulette and Jack Lantz provided the majority of images necessary for this publication.
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