The quest for Cardenio : Shakespeare, Fletcher, Cervantes, and the lost play
著者
書誌事項
The quest for Cardenio : Shakespeare, Fletcher, Cervantes, and the lost play
Oxford University Press, 2012
1st ed
大学図書館所蔵 全4件
注記
Includes bibliographical references and index
内容説明・目次
内容説明
This book is about the search for a lost play. Celebrating the quatercentenary of publication of the first translation of Don Quixote, it is the first collection of essays entirely devoted to The History of Cardenio, a play based on Cervantes and probably written in that same year. It was said to be written by Shakespeare and the young man who was taking his place, John Fletcher, the most successful English playwright of the seventeenth century. The
book brings together leading scholars, critics, and theatre practitioners to discuss the lost (or partially lost) play. It also re-examines Lewis Theobald's 1727 Double Falsehood, allegedly based on Cardenio. A range of approaches -new archival evidence, employment of advanced computer-aided stylometric tests for
authorship attribution, early modern theatre history, literary and theatrical analysis, musicology, and recent theatrical productions and adaptations - produces new research findings about the play, Shakespeare, Fletcher, Cervantes, and the early modern relationship between Spanish and English culture. The book establishes the dates, venues, and audience for two performances of Cardenio by the King's Men in 1613, and identifies glimpses of the play in several seventeenth-century
documents. It also provides much new evidence and analysis of Double Falsehood, which Theobald claimed was based on previously unknown manuscripts of a play by Shakespeare. His enemies, especially Pope, denied the Shakespeare attribution. Debate has continued ever since. While some contributors advocate sceptical
caution, new research provides stronger evidence than ever before that a lost Fletcher/Shakespeare Cardenio can be discerned within Double Falsehood. Uniquely, this collection combines archival research and literary analysis with accounts of recent theatrical experiments, which explore the Cardenio problem by reviving or adapting Double Falsehood, and demonstrate that such practical theatrical work throws valuable light on some of the problems that have
obstructed traditional scholarly approaches. It thus offers a new paradigm for the creative interaction of scholarship and performance.
目次
- SETTING THE STAGE
- EXTERNAL EVIDENCE: WHAT THE DOCUMENTS SAY
- INTERNAL EVIDENCE: WHAT STYLE AND STRUCTURE SAY
- INTERTEXTS AND CROSS-CURRENTS
- CARDENIO FOR PERFORMANCE
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