The bravo : a Venetian story
Author(s)
Bibliographic Information
The bravo : a Venetian story
(AMS studies in the nineteenth century, no. 49)
AMS Press, c2011
Available at 4 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references
Description and Table of Contents
Description
Begun in 1830, amid the turmoil of the July Revolution in Paris, The Bravo depicts an early eighteenth-century Venice rife with deceit and cruelty, a place where oligarchic senators pretend to govern a republic for the benefit of the masses while using their secret councils to preserve their wealth. For Cooper, the heart of Venetian corruption was its "soulless corporation": councils of senators whose anonymity removed them from personal moral responsibility and whose regular turnover within their class guaranteed the immortality of their state. With French oligarchs quickly usurping their country's liberal revolution, Cooper framed his narrative of the "soulless corporation" to apply equally to contemporary France, aristocratic England, and money-mad America.
This meticulously edited edition, which has received the seal of the Committee on Scholarly Editions of the MLA, is based on the first London edition, the only one Cooper proofread. Incorporating all the changes Cooper made for the revised text of 1834, the AMS edition also includes superior variants from the rough-draft manuscript that were lost during the transmission of the text.
An extensive historical introduction, as well as detailed explanatory notes and valuable contemporary illustrations of Venice, give readers a sense of the context necessary to fully appreciate Coooper's first and best political novel.
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