Popularizing national pasts : 1800 to the present
著者
書誌事項
Popularizing national pasts : 1800 to the present
(Routledge approaches to history, 6)
Routledge, 2012
- : hbk
大学図書館所蔵 全6件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
内容説明
Popularizing National Pasts is the first truly cross-national and comparative study of popular national histories, their representations, the meanings given to them and their uses, which expands outside the confines of Western Europe and the US. It draws a picture of popular histories which is European in the full sense of this term. One of its fortes is the inclusion of Eastern Europe. The cross-national angle of Popularizing National Pasts is apparent in the scope of its comparative project, as well as that of the longue duree it covers. Apart from essays on Britain, France, and Germany, the collection includes studies of popular histories in Scandinavia, Eastern and Southern Europe, notably Romania, Bulgaria, Croatia, Armenia, Russia and the Ukraine, as well as considering the US and Argentina. Cross-national comparison is also a central concern of the thirteen case studies in the volume, which are, each, devoted to comparing between two, or more, national historical cultures. Thus temporality -both continuities and breaks- in popular notions of the past, its interpretations and consumption, is examined in the long continuum. The volume makes available to English readers, probably for the first time, the cutting edge of Eastern European scholarship on popular histories, nationalism and culture.
目次
Introduction. Stefan Berger, Chris Lorenz, and Billie Melman Part I: Popular National Histories in the Late Eighteenth and Early Nineteenth Centuries 1. Revolutionary Politics and Revolutionary Aesthetics: Opera, Classics, and Popular National History. Simon Goldhill 2. History as Romance and History as Atonement: Nineteenth-Century Images from Britain and France. Stephen Bann 3. 'That which we learn with the eye': Popular Histories, Modernity, and Nationalism in Nineteenth-Century London and Paris. Billie Melman 4. Popular Heritage and Commodification Debates in Nineteenth- and Early Twentieth-Century Britain, France, and Germany. Astrid Swensson Part II: Popular National Histories in the First Half of the Twentieth Century 5. Imagining Russia's Pasts: Revolutionary and Tsarist Russia in American, British and German Cinema, 1927-1939. Sarah Street 6. Balkans Baedecker for UEbermensch Tourists: Janko Janev's Popular Historiosophy. Balasz Trencsenyi 7. Exhibiting Scandinavian Culture: The National Museums of Denmark and Sweden. Peter Aronsson 8. Locating Transylvanians: Real and Fictional Ethnohistories. Borbala Zsuzsanna Toeroek Part III: Popular National Histories in the Second Half of the Twentieth Century 9. Migrants, Foreigners, Jews, and the Cultural Structure of Prejudice: The Nation as Performative Event in US and German TV Crime Dramas. Wulf Kansteiner 10. Filming a Livable Past: The 1970s-1980s in Contemporary Russian Cinema. Oksana Sarkisova 11. On Track to the Grand Prix: The National Eurovision Competition as National History. Philip V. Bohlman 12. A City and its Pasts: Popular Histories in Kaliningrad between Regionalization and Nationalization. Stefan Berger 13. The Internet and National Histories. Markku Jokisipila 14. 'Unpopular past': The Argentine Madres de Plaza de Mayo and their Rebellion against History. Berber Bevernage
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