Tokyo, 1955-1970 : a new avant-garde
Author(s)
Bibliographic Information
Tokyo, 1955-1970 : a new avant-garde
Museum of Modern Art, c2012
Available at 46 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Catalog of the exhibition held at the Museum of Modern Art, New York, Nov. 18, 2012-Feb. 25, 2013
Exhibition co-organized by the Museum of Modern Art and the Japan Foundation
Bibliography: p. 197-199
List of works: p. 201-212
Description and Table of Contents
Description
Tokyo 1955-1970: A New Avant-Garde explores the extraordinary convergence of artists, intellectuals, and creators in Japan's capital city during the radically transformative postwar period. Examining works from a range of media - paintings, sculpture, photographs, drawings, prints, videos and films, as well as graphics, architecture, musical compositions and dance - this is the first publication in English to focus in depth on the full scope of postwar art in Japan. The city during this period was a vibrant hub that attracted such critical artistic figures as Taro Okamoto, Hiroshi Nakamura, Ay-O, Yoko Ono, Mieko Shiomi and Tetsumi Kudo; photographers Daido Moriyama, Eikoh Hosoe and Shomei Tomatsu; illustrators and graphic designers Tadanori Yokoo, Kohei Sugiura and Kiyoshi Awazu; and architects Arata Isozaki and Kisho Kurokawa; as well as many important artists' collectives. Curator Doryun Chong's introductory essay investigates Tokyo's sociopolitical context and the massive urban changes that redefined the city as a vital node in the international avant-garde network. Essays by scholars Hayashi Michio and Miryam Sas and curator Mika Yoshitake discuss central notions of postwar Japanese art, including design and graphics; the development of new sculptural languages; and the 'intermedia' trend that engendered experimental performance works and cross-pollination among artistic modes.
by "Nielsen BookData"