From the ghetto to the melting pot : Israel Zangwill's Jewish plays : three playscripts
著者
書誌事項
From the ghetto to the melting pot : Israel Zangwill's Jewish plays : three playscripts
Wayne State University Press, c2006
- : pbk
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. 519-546) and index
収録内容
- Children of the ghetto
- The melting pot
- The King of Schnorrers
内容説明・目次
内容説明
In his historic play ""The Melting Pot"", Israel Zangwill (1864-1926) introduced into our discourse a potent metaphor that for nearly a hundred years has served as a key definition of the United States. The play, enthusiastically espoused by President Theodore Roosevelt, to whom it was dedicated, offered a grand vision of America as a dynamic process of ethnic and racial amalgamation. By his own admission, ""The Melting Pot"" grew out of Zangwill's intense involvement in issues of Jewish immigration and resettlement and was grounded in his interpretation of Jewish history. Zangwill, Anglo Jewry's most renowned writer, began writing seriously for the stage in the late 1890s. At the time, the negative stereotype of the so-called Stage Jew was still deeply entrenched in the theatrical mainstream, so much so that Jewish playwrights writing for the English-language stage avoided altogether the portrayal of Jewish life. Zangwill shattered this silence in 1899 with the American premiere of ""Children of the Ghetto"" - his first full-length drama, and the first English-language play devoted in its entirety to the depiction of Jewish life in an authentic and positive fashion. The play's groundbreaking production drew tremendous attention and generated heated debates, but since the script was never published, the memory of the passions it generated dimmed, and its whereabouts eventually became unknown. After more than a century, theater historian Edna Nahshon has discovered the original manuscript of this milestone text, as well as that of another unpublished Zangwill play, ""The King of Schnorrers"", and the original version of ""The Melting Pot"". Nahshon brings these three works together in print for the first time in ""From the Ghetto to the Melting Pot"". Though written and produced over a period of twenty-five years and not conceived as a trilogy, the three plays are united in this volume by virtue of their shared Jewish subject matter. Read in historical sequence, they take us on a two-hundred-year journey that begins in eighteenth-century London, with its intra-jewish tensions farcically depicted in ""The King of Schnorrers"", then proceeds to the nineteenth-century London Ghetto struggling at a crossroads between tradition and modernity, as portrayed in ""Children of the Ghetto"", and finally reaches the shores of twentieth-century America, where the survivor of a Russian pogrom advocates intermarriage and delivers a messianic gospel of tolerance and racial fusion in ""The Melting Pot"". Edna Nahshon's in-depth introduction to this volume includes a biography of Israel Zangwill that especially pertains to these works and situates them within the Anglo-American theater of the time. The essays preceding each play provide rich and hitherto unknown information on the scripts, their stage productions, and their popular and critical reception. While some issues addressed in ""From the Ghetto to the Melting Pot"" are uniquely Jewish, others are universal and typical of the negotiation of self-presentation by ethnic and minority groups, particularly within the American experience.
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