Yüksel Arslan : Artures
著者
書誌事項
Yüksel Arslan : Artures
Hatje Cantz, c2012
- タイトル別名
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Artures
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Text in German and English
Catalog of the exhibition held at Kunsthalle Zürich, Jan. 28-Apr. 9, 2012, Kunsthalle Düsseldorf, Apr. 21-June 24, 2012, and Kunsthalle Wien, Jan. 18-Mar. 13, 2013
Includes bibliographical references (p. 268-270)
内容説明・目次
内容説明
Due to the political circumstances in Turkey, with the support of Andre Breton, Jean Dubuffet, and Jean-Paul Sartre, Yuksel Arslan (*1933 in Istanbul) emigrated to Paris in the early sixties, but he has remained unknown to a wider audience until now. This is the first publication to provide a comprehensive look at his work, including his various creative phases from 1959 onward. The artist's numerous works on paper show the expressivity of his colors, through which he captures the oriental light, emphasizing it as a characteristic typical of the Near East, as did Eugene Delacroix. Arslan's so-called Artures are owed to his unique style of painting: he does not use conventional paints, but pigments he mixes himself, plant extracts such as flowers or grass, and natural substances-oil, charcoal, and stone. They serve to create human and animal figures that are either responses to philosophical questions of Western thought or else rooted in his own biography. Exhibition schedule: Kunsthalle Zurich, January 28-April 9, 2012 | Kunsthalle Dusseldorf, April 21-June 24, 2012 | Kunsthalle Wien, January 18-March 13, 2013
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