On one side of the same water : Artistic practice between Tirana and Tangier : Künstlerische Praxis zwischen Tirana und tanger
Author(s)
Bibliographic Information
On one side of the same water : Artistic practice between Tirana and Tangier : Künstlerische Praxis zwischen Tirana und tanger
(Jahresring : Jahrbuch für moderne Kunst / [im Auftrag des Kulturkreises im Bundesverband der Deutschen Industrie e. V. ], 59)
Hatje Cantz, c2012
Available at 3 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Description and Table of Contents
Description
The Jahresring 59 is devoted to examples of artistic practice in the Mediterranean region, or, more precisely, the southern and southeastern regions, otherwise known more for being arenas of crises, conflicts, or revolutions.Beginning in the nineties, European cultural scientists started rediscovering the Mediterranean region as an area of culture and knowledge, not lastly against the backdrop of migration and energy policies. Both perspectives evade the practice of contemporary artists. In Tirana, Algiers, Istanbul, Beirut, Alexandria, or Tangiers, artists reflect on the here and now at a high level of cognition and apply new, non-institutionalized models to intervene in the processes of shaping civil societies. This volume, whose title is borrowed from a work by Lawrence Weiner, does not seek to inventory circumstances in each nation, but employs artistic stances and research to construe a conversation about the spheres of activity involving art and artists today. Edited by Brigitte Oetker on behalf of the Cultural Committee of German Business within the Federation of German Industries (BDI) e.V.
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