The golden age of costume and set design for the Ballet Russe de Monte Carlo, 1938 to 1944

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The golden age of costume and set design for the Ballet Russe de Monte Carlo, 1938 to 1944

organized and compiled by Kristin L. Spangenberg ; with essays by Jack Anderson, Janet Light and Malcolm McCormick

Cincinnati Art Museum, c2002

  • : hardcover

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注記

Exhibition catalogue

"Published on the occasion of the exhibition ... held at the Cincinnati Art Museum, October 10, 2002 through January 12, 2003 and the Cincinnati Ballet's tribute to the Ballet Russe de Monte Carlo held October 18 and 19, 2002" -- T.p. verso

Includes bibliographical references (p. 133-134) and index

内容説明・目次

内容説明

Successor to Diaghilev's legendary Ballets Russes where the scenic designer was treated as a full creative partner, the Ballet Russe de Monte Carlo (1938-1962) toured from coast to coast and helped develop an enthusiastic new audience for ballet in America. This study explores the approximately 300 designs which comprise the largest single collection commissioned between 1938 and 1944, the early period when the company possessed many brilliant dancers and the artistic stewardship of two indelible names of 20th-century ballet: Leonide Massine and George Balanchine.

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