The scene of the mass crime : history, film, and international tribunals
著者
書誌事項
The scene of the mass crime : history, film, and international tribunals
(Discourses of law)
Routledge, 2013
- : pbk
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
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注記
Includes bibliographical references and index
内容説明・目次
内容説明
The Scene of the Mass Crime takes up the unwritten history of the peculiar yet highly visible form of war crimes trials. These trials are the first and continuing site of the interface of law, history and film. From Nuremberg to the contemporary trials in Cambodia, film, in particular, has been crucial both as evidence of atrocity and as the means of publicizing the proceedings. But what does film bring to justice? Can law successfully address war crimes, atrocities, genocide? What do the trials actually show? What form of justice is done, and how does it relate to ordinary courts and proceedings? What lessons can be drawn from this history for the very topical political issue of filming civil and criminal trials? This book takes up the diversity and complexity of these idiosyncratic and, in strict terms, generally extra-legal medial situations. Drawing on a fascinating diversity of public trials and filmic responses, from the Trial of the Gang of Four to the Gacaca local courts of Rwanda to the filmic symbolism of 9-11, from Soviet era show trials to Nazi People's Courts leading international scholars address the theatrical, political, filmic and symbolic importance of show trials in making history, legitimating regimes and, most surprising of all, in attempting to heal trauma through law and through film. These essays will be of considerable interest to those working on international criminal law, transitional justice, genocide studies, and the relationship between law and film.
目次
- 1. History, Trauma, War Crimes: Pieter Lagrou: Getting the Past Right-or the Future?
- William A. Schabas: Building the Official Narrative
- Henry Rousso: Competitive Narratives: An Incident at the Papon Trial
- Helene Dumas: Gacaca courts in Rwanda: A Local Justice for a Local Genocide history?
- 2. Show Trials: Nicolas Werth: The Raion Trials in the USSR (1937-1938)
- Anne Kerlan: The Trial of the 'Gang of the Four'
- Johann Chapoutot: The Nazi People's Court (1944) or the Failure of "Total Justice"
- Stuart Liebman: The Majdanek Trial. The Holocaust on Trial on Film: Kazimierz Czynski's Swastyka i Szubienica (1945)
- 3. Khmer Rouge on Trial: Francoise Sironi: The Psychological Evaluation of Duch, A Criminal Against Humanity in Cambodia
- Francois Roux: Pleading guilty: the case of Duch in the Khmer Rouge trial. Defending Duch
- Brice Poirier: The Place and Participation of the Victims in Duch's Trial
- 4. September 11, 1973/2001: Hollywood, Figures and Film
- Vincent Dozol: Hollywood: Previsualization and post 9-11 style?
- Constance Ortuzar: The 9-11: The Chilean Coup and its Visual Memory
- Christian Delage:Visualizing 9-11
- Portfolio: Peter Goodrich and Linda Mills, Edward Hillel, Richard Sherwin
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