Minimalism in Germany : the sixties Minimalismus in Deutschland : die 1960er Jahre
著者
書誌事項
Minimalism in Germany : the sixties = Minimalismus in Deutschland : die 1960er Jahre
Hatje Cantz, c2012
- タイトル別名
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Daimler Art Collection
Mimimalism in Germany, the sixties II
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注記
Exhibition catalogue
Catalog of the exhibition held at the Daimler Contemporary, Berlin, March 31-September 9, 2012
Text in English and German
Includes bibliographical references (p. 515-519)
At head of titlet: Daimler Art Collection
Other title from colophon
内容説明・目次
内容説明
In the exploration of abstraction and the Zero avant-garde, of constructive and concrete tendencies, an independent strand of minimalism developed in Germany in the sixties. This publication is devoted to reductionist works by German artists who produced large sculptures, series of visual objects, and action-oriented work concepts, representing a specifically German aspect of Minimal Art as an international phenomenon of the sixties. Essays on minimalist tendencies in Germany in the areas of art, architecture, literature, film, and design of this period expand the context. The catalogue features around one hundred works, most of them part of the Daimler Art Collection, by about forty artists, including artistic stances as diverse as those of Hartmut Boehm, Imi Giese, Hanne Darboven, Hermann Gloeckner, Heinz Mack, Peter Roehr, Charlotte Posenenske, Ulrich Ruckriem, and Franz Erhard Walther. Exhibition schedule: Daimler Contemporary, Haus Huth, Berlin, March 30-September 30, 2012
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