Kabuki drama
著者
書誌事項
Kabuki drama
Kegan Paul, [20--], c1938
大学図書館所蔵 全3件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
"Fist published in 1938 by Board of Tourist Industry, Japanese Government Railways"--T.p. verso
This edition first published in 2009 by Routledge"--T.p. verso
内容説明・目次
内容説明
First published in 2006. Kabuki is the most popular form of Japanese traditional theatre. More fast-moving than Noh, it is a colourful and exciting spectacle based around traditional, historical and mythic narratives, many of which involve the code of the samurai. A recurrent theme is the ethical ideal of the samurai who gives up his life for his lord and his country, and the actors who take on the roles of handsome young samurai enjoy large and enthusiastic followings. Kabuki plays are set in the feudal samurai era, and the actors wear dramatic makeup and costumes and engage in wonderfully choreographed swordplay. A feature of traditional Kabuki is that all the female roles are played by men known as onnagata. This is a fine brief introduction to a highly enjoyable art form.
目次
- How to Appreciate the Kabuki
- Characteristics of the Kabuki
- Machinery Peculiar to the Kabuki Stage
- Principal Kabuki Plays
- Technique Peculiar to the Kabuki
- Symbolism and Impressionism in the Kabuki and The Story Value of the Kabuki.
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