Kabuki drama
Author(s)
Bibliographic Information
Kabuki drama
Kegan Paul, [20--], c1938
Available at 3 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
"Fist published in 1938 by Board of Tourist Industry, Japanese Government Railways"--T.p. verso
This edition first published in 2009 by Routledge"--T.p. verso
Description and Table of Contents
Description
First published in 2006. Kabuki is the most popular form of Japanese traditional theatre. More fast-moving than Noh, it is a colourful and exciting spectacle based around traditional, historical and mythic narratives, many of which involve the code of the samurai. A recurrent theme is the ethical ideal of the samurai who gives up his life for his lord and his country, and the actors who take on the roles of handsome young samurai enjoy large and enthusiastic followings. Kabuki plays are set in the feudal samurai era, and the actors wear dramatic makeup and costumes and engage in wonderfully choreographed swordplay. A feature of traditional Kabuki is that all the female roles are played by men known as onnagata. This is a fine brief introduction to a highly enjoyable art form.
Table of Contents
- How to Appreciate the Kabuki
- Characteristics of the Kabuki
- Machinery Peculiar to the Kabuki Stage
- Principal Kabuki Plays
- Technique Peculiar to the Kabuki
- Symbolism and Impressionism in the Kabuki and The Story Value of the Kabuki.
by "Nielsen BookData"