Music and narrative since 1900

著者

    • Klein, Michael L.
    • Reyland, Nicholas

書誌事項

Music and narrative since 1900

edited by Michael L. Klein and Nicholas Reyland

（Musical meaning and interpretation / Robert S. Hatten, editor）

Indiana University Press, c2013

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注記

Includes bibliographical references and index

内容説明・目次

内容説明

This comprehensive volume offers a wide-ranging perspective on the stories that art music has told since the start of the 20th century. Contributors challenge the broadly held opinion that the loss of tonality in some music after 1900 also meant the loss of narrative in that music. To the contrary, the editors and essayists in this book demonstrate how experiments in approaching narrative in other media, such as fiction and cinema, suggested fresh possibilities for musical narrative, which composers were quick to exploit. The new conceptions of time, narrative voice, plot, and character that accompanied these experiments also had a significant impact on contemporary music. The repertoire explored in the collection ranges across a wide variety of genres and includes composers from Charles Ives and the Pet Shop Boys to Thomas Adès and Dmitri Shostakovich.

目次

Part 1. Framing the Narrative 1. Musical Story 2. Negation and Negotiation: Plotting Narrative through Literature and Music from Modernism to Postmodernism Part 2. Theorizing Modern Musical Narrative 3. Narrative Engagement with Twentieth-Century Music: Possibilities and Limits 4. Optional Extra? Contextualizing Narrative in the Critical Interpretation of Post-tonal Composition 5. Archetypes of Initiation and Static Temporality in Contemporary Opera: Works of François-Bernard Mâche, Pascal Dusapin, and Gualtiero Dazzi 6. Agency, Determinism, Focal Time Frames, and Processive Minimalist Music 7. Musical Prose and Musical Narrativity in the Fin de Siècle 8. Narrative Nostalgia: Modern Art Music off the Rails Part 3. Interpreting Modern Musical Narrative 9. Agency Effects in the Instrumental Drama of Musgrave and Birtwistle Rupprecht 10. Narrativities in the Music of Thomas Adès: The Piano Quintet and Brahms 11. Britten's Serenade and the Politico-Moral Crises of the Wartime Conjuncture: Hermeneutic and Narrative Notes on the "Nocturne" 12. Identity, Time, and Narrative in Three Songs about AIDS by the Pet Shop Boys 13. A Story of Violence: A Guitar Improvisation as a Narrative about Embodied Listening 14. Ives and the Now 15. Narrativity, Descriptivity, and Secondary Parameters: Ecstasy Enacted in Salvatore Sciarrino's Infinito nero 16. The Tropes of Desire and Jouissance in Kaija Saariaho's L'amour de loin 17. Expressive Doubling and the Narrative of Rebirth in Shostakovich's String Quartet No. 3, op. 73 18. Afterlife of an Archetype: Prokofiev and the Art of Subversion 19. Identity Formation in Webern's Six Pieces for Large Orchestra, op. 6 \ List of Contributors Index

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