Hildegard of Bingen : the context of her thought and art
Author(s)
Bibliographic Information
Hildegard of Bingen : the context of her thought and art
（Warburg Institute colloquia, 4）
Warburg Institute, 1998
- pbk
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Note
Includes bibliographical references and index
Description and Table of Contents
Description
This volume offers a comprehensive view of Hildegard of Bingen's achievements, her intellectual background and her reception in the later Middle Ages. It brings together, with full documentation, the contributions of an international group of medievalists, from diverse disciplines, to the colloquium held at the Warburg Institute on 17-18 November 1995. The book both pays tribute to the 9th centenary of Hildegard's birth (1098) and complements Hans Liebeschutz's study of Hildegard, which the Warburg Library in Hamburg, published in 1930.
Table of Contents
- The allegorical world-picture of Hildegard of Bingen - revaluations and new problems, Peter Dronke
- the manuscript tradition of Hildegard of Bingen's writings - the state of the problem, Albert Derolez
- Hildegard as the designer of the illustrations to her works, Madeline Caviness
- Hildegard in England - a note on Hildegard's texts in the library of the Austin Friars in York, Charles Burnett
- Ildegarda e la Patristica, Angela Carlevaris
- prophecy in Hildegard, Robert Murray
- Hildegard and the schools, Constant Mews
- Hildegard of Bingen and the science of the stars, Charles Burnett
- Hildegarde et la physiologie de son temps, Danielle Jacquart
- Abbesse et agronome - Hildegarde et le savior botanique de son temps, Lawrence Moulinier
- Eine Offiziendichtung in der "Symphonia" Hildegards von Bingen - Ursula und die Elftausend Jungfrauen (carm.44), Walter Berschin
- the musical individuality of Hildegard's songs - a liturgical shadowland, John Stevens
- three-part invention - the "Vita S. Hildegardis" and mystical hagiography, Barbara Newman
- aspetti della ricezione dell'opera di Ildegarda nel Duecento, Jose Carlos Santos Paz.
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