Italy's three crowns : reading Dante, Petrarch and Boccaccio
著者
書誌事項
Italy's three crowns : reading Dante, Petrarch and Boccaccio
Bodleian Library, 2007
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
"Futher readings": p. 117-118
内容説明・目次
内容説明
Celebrated in Italy as the 'Tre Corone' (the 'Three Crowns'), Dante, Petrarch, and Boccaccio have exerted an immense influence over western culture. The first part of this book looks at their impact on Italian culture up to the Renaissance. Dante especially, as author of the "Divine Comedy", was incorporated into all aspects of life, from the university classroom to the pulpit, and from the workshops of book-producers to the street. Petrarch and Boccacio had to deal with Dante's legacy even as they rediscovered the texts and values of classical antiquity and forged new paths of their own. The second part concentrates on the role played by scholars and artists working in the United Kingdom, specifically some of those associated with Oxford, in reviving Dante's reputation during the last two hundred years. Dante became identified with some of the nineteenth century's most vital aesthetic and religious concerns as the Romantic movement developed; the Rossetti family was at the forefront of the dissemination of Dante within British culture. The contribution of the foremost Dante scholar of the late nineteenth and early twentieth centuries, Paget Toynbee, is also examined.
The book ends with a look at the work of the contemporary artist, Tom Phillips, in which he reflects on how his own visual work fits into this centuries-old tradition of Dante illustration and scholarship.
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