Genre, reception, and adaptation in the "Twilight" series

Author(s)

edited by Anne Morey

（Ashgate studies in childhood, 1700 to the present）

Ashgate, c2012

Includes index

"Famine for food, expectation for content": Jane Eyre as intertext for the "Twilight" saga / Anne Morey
Fantasy, subjectivity, and desire in Twilight and its sequels / Jackie C. Horne
Postfeminist fantasies: sexuality and femininity in Stephenie Meyer's "Twilight" series / Kristine Moruzi
Narrative intimacy and the question of control in the "Twilight" saga / Sara K. Day
Bridges, nodes, and bare life: race in the "Twilight" saga / Alexandra Hidalgo
Girl culture and the "Twilight" franchise / Catherine Driscoll
"Twilight" fans represented in commercial paratexts and inter-fandoms: resisting and repurposing negative fan stereotypes / Matt Hills
Coming to a violent end: narrative closure and the death drive in Stephenie Meyer's "Twilight" series / Rachel DuBois
The giddyshame paradox: why "Twilight's" anti-fans cannot stop reading a series they (love to) hate / Sarah Wagenseller Goletz
Between Twi-Hards and Twi-Haters: the complicated terrain of online "Twilight" audience communities / Anne Gilbert
"I'd never given much thought to how I would die": uses (and the decline) of voiceover in the "Twilight" films / Katie Kapurch
Traveling in the same boat: adapting Stephenie Meyer's Twilight, New Moon, and Eclipse to Film / Mark D. Cunningham
Adaptation and reception: the case of the "Twilight" saga in Korea / Hye Chung Han and Chan Hee Hwang