Envisioning the artist in the early modern Netherlands Het beeld van de kunstenaar in de vroegmoderne Nederlanden
Author(s)
Bibliographic Information
Envisioning the artist in the early modern Netherlands = Het beeld van de kunstenaar in de vroegmoderne Nederlanden
(Nederlands kunsthistorisch jaarboek, d. 59)
Waanders, c2010
Available at 3 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references
Description and Table of Contents
Description
The early modern period is defined, in part, by the emergence of the artist as a distinctive kind of human subject. This volume is concerned with images and discourses of the artist in the Netherlands from the late 15th century to the mid 17th century, when the relationship between a community of craftsmen and elite individuals, between consciousness of a native tradition and membership of international humanist society, between image and word, between hand, mind and spirit, were being actively defined. Discussions of architects, painter-poets and copyists critically engage with the Netherlandish artist's identification with oil painting, which became ever-closer during this period. Contributions in which self-portraits, images of the studio and art literature are related to the practices, behaviour and economic lives of a range of practitioners, provide new insights into the artist not only as a producer but a figure produced by his work.
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