From El Greco to Goya : painting in Spain 1561-1828
著者
書誌事項
From El Greco to Goya : painting in Spain 1561-1828
Laurence King, 2012
- pbk.
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注記
"First published in Great Britain 1997 by George Weidenfeld and Nicolson"--T.p. verso
Includes bibliographical references (p. 172-173) and index
内容説明・目次
内容説明
This richly illustrated book covers 250 years of painting in Spain, opening with art created at the splendid16th-century court of Philip II, before turning to art and patronage in the cities of Toledo, Valencia and Seville. It then returns to Madrid to explore the work at the 17th-century Habsburg court, before introducing the transitions brought by the Bourbon monarchy. Janis Tomlinson traces the myriad influences reflected in the paintings of generations of artists from Sofonisba Anguissola, El Greco, Velazquez, and Zubaran to the unique accomplishment of Francisco Goya.
目次
INTRODUCTION Painting in Spain or Spanish Painting Patrons and Painters A Changing Spain ONE Painting at the Court of Philip II Portraying the Court of Philip II: Alonso Sanchez The Escorial The Basilica of the Escorial El Greco at the Escorial The Italian Contribution: Luca Cambiasa and Pellegrino Tibaldi TWO The Toledo of El Greco Private Patrons and Religious Commissions El Greco, Humanist Naturalism in Early Seventeenth-century Toledo THREE Ribalta in Valencia and Painting in Seville Seventeenth-century Seville Genre Painting in Seville Religious Painting in Seville FOUR The Habsburg Court: 1598-1655 The Legacy of the Sixteenth Century Velasquez's Early Works a the Court of Philip IV Rubens, Rivalries, and Italy The Buen Retiro Palace The Aesthetic of the Borron FIVE Painting at Court: 1655-1700 Juan Bautista Martinez del Mazo Painting in the Final Years of the Habsburg Monarchy SIX Painting Under The Bourbon Monarchy: 1700-70 Portraiture at the Bourbon Court The Rise of the Lesser Genres The Royal Academy and the Grand Tradition SEVEN Goya's Modernity Goya, Tapestry Painter Los Caprichos Traditions Revisited Restoration and Exile CONCLUSION
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