Salvatore Ferragamo : inspiration and vision
著者
書誌事項
Salvatore Ferragamo : inspiration and vision
Skira, 2011
大学図書館所蔵 全3件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Catalogue of the exhibition held at the Salvatore Ferragamo Museum, Florence, May 27, 2011-Mar. 12, 2012
Includes bibliographical references (p. 167)
内容説明・目次
内容説明
Salvatore Ferragamo was a shoemaker, proud of being one and defined himself as such. Growing up in the workshop, he cultivated the craft and that connection between mind and hand which underlies many masterpieces of art. This beautifully illustrated catalogue describes Salvatore Ferragamo's craft trying to identify the sources of his creativity and his innate ability to assimilate the spirit of the times. Through almost 100 models for footwear the book takes into consideration two periods in his life where conditions encouraged inspiration and visions to flourish and which influenced the artist's later life: his move to California around 1915 and his return to Florence in 1927. Ferragamo's experience in Hollywood was an opportunity to meet extraordinary people of the emerging cinematographic industry. The culture of the territory also was source of inspiration: the decoration used by the American Indians, the fabrics and colours of quilts made by Quaker communities, the richness of South American craftsmanship, are reflected in the models of those years and return decades later in his innovations like a signature style. In Florence Ferragamo was impressed not only by the architecture, but also by the public and private collections of applied arts. Alongside an interest in tradition and historical finds, he was also affected by experiments with material and colour carried out by avant-garde artists, the Futurists in particular, for whom in the Twenties Florence itself was a first order cultural epicentre.
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