Landscape and religion from Van Eyck to Rembrandt
著者
書誌事項
Landscape and religion from Van Eyck to Rembrandt
Ashgate, c2012
- タイトル別名
-
Landschap en wereldbeeld
Landscape and religion : from Van Eyck to Rembrandt
大学図書館所蔵 全6件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Translation of: Landschap en wereldbeeld. Bussum : Thoth, c2004
Includes bibliographical references (p. [299]-331) and indexes
内容説明・目次
内容説明
Offering a corrective to the common scholarly characterization of seventeenth-century Dutch landscape painting as modern, realistic and secularized, Boudewijn Bakker here explores the long history and purpose of landscape in Netherlandish painting. In Bakker's view, early Netherlandish as well as seventeenth-century Dutch painting can be understood only in the context of the intellectual climate of the day. Concentrating on landscape painting as the careful depiction of the visible world, Bakker's analysis takes in the thought of figures seldom consulted by traditional art historians, such as the fifteenth-century philosopher Dionysius the Carthusian, the sixteenth-century religious reformer John Calvin, the geographer Abraham Ortelius and the seventeenth-century poet Constantijn Huygens. Probing their conception of nature as 'the first Book of God' and art as its representation, Bakker identifies a world view that has its roots in the traditional Christian perceptions of God and creation. Landscape and Religion from Van Eyck to Rembrandt imposes a new layer of interpretation on the richly varied landscapes of the great masters. In so doing it adds a new dimension to the insights offered by modern art-historical research. Further, Bakker's explorations of early modern art and literature provide essential background for any student of European intellectual history.
目次
- Contents: Preface
- Introduction
- The early landscape: background or subject?
- The art of painting and the cosmos
- The visible world: from semblance to reality
- The beauty of the world as a path to God
- The landscape of the mind: the world as allegory
- Bosch, Patinir and Bles: worlds of allegory
- The painter as geographer: cartographic and topographical landscapes
- Meanings old and new: Bruegel, Ortelius and Calvin
- A painter writing on landscape painting: Karel van Mander
- The Dutch landscape as an art-historical problem
- Didactic landscapes: Zacharias Heyns and Claes Jansz Visscher
- Two poets and the theory of landscape painting: Huygens and Vondel
- The painter and the landscape: Rembrandt van Rijn
- Bibliography
- Indexes.
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