Inventing abstraction 1910-1925 : how a radical idea changed modern art
著者
書誌事項
Inventing abstraction 1910-1925 : how a radical idea changed modern art
Thames & Hudson , Museum of Modern Art, 2012
- : [Trade ed.]
- : [Museum ed.]
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注記
"Published in conjunction with the exhibition Inventing Abstraction, 1910-1925 at The Museum of Modern Art, New York, December 23, 2012-April 15, 2013"--Colophon
[Museum ed.] has no publication year description
[Museum ed.] has different pagination: 376 p.
[2] folded leaves of plates
Includes bibliographical references and index
内容説明・目次
内容説明
Inventing Abstraction 1910–1925 explores the development of abstraction from the moment of its declaration around 1912 to its establishment as the foundation of avant-garde practice in the mid-1920s. The book brings together many of the most influential works in abstraction’s early history to draw a cross-media portrait of this watershed moment in which traditional art was reinvented in a wholesale way. Works are presented in groups that serve as case studies, each engaging a key topic in abstraction’s first years: an artist, a movement, an exhibition or thematic concern. Key focal points include Vasily Kandinsky’s ambitious Compositions V, VI and VII; a selection of Piet Mondrian’s work that offers a distilled narrative of his trajectory to Neo-plasticism; and all the extant Suprematist pictures that Kazimir Malevich showed in the landmark ‘0.10’ exhibition in 1915.
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